![]() By building models and environments in real 3D space, we are rewarded with the most amazing array of film tone and texture. I think what makes this science fiction film incredibly relevant and futuristic even in today’s world is the uncompromising principal of aforementioned “in-shot” special effects. 2.11.58 – The nutty Louis XV style French Interior at the end of the universe 2.18.43 – the last Monolith In concluding… Where some film makers would like to avoid glass reflections, the film uses them in profound ways in order to paint the shot with texture. All those delicious red lights! 1.56.31 – Reflections feature heavily in the space cinematography. One of my favourite environments in the film. ![]() ![]() Look at all those attractive matt displays 1:15:23 – Side shot showing porthole and controls 1:17:34 – Control room aboard Discovery 1:39:58 – Super attractive charts plotting life support systems under HAL’s wayward control 1.50.39 – Accessing the Logic Center 1.50.53 – Clean design lines on the Logic Memory Center signage system 1.52.56 – Pulling on logic cores in the memory terminals brings about HAL’s imminent shutdown 1.53.35 – Inside the Logic Center. Big enough to house the (18m × 37m × 18m) pit 57:00 – Taking in exercise aboard Jupiter bound Discovery One 01:01:51 – HAL and his naughty eye 1:14:29 – The flight deck of the Discovery Pod. The first shot in the production schedule taking place in Stage H at Shepperton Studios. Note the egghead flight attendant’s headgear 51:54 – Tycho crater excavation scene. All sustenance delivered through a slurpy straw. Floyd travels to Clavius Base within the weightless interior of the Pan American craft 27:14 – Aboard Hilton Space Station 5 34:38 – Pan Am food tray packaging. Here is a selection of my favourite film moments from 2001: A Space Odyssey.Ī collection of impressive images and their related time signatures (see captions) 12:48 – The alien monolith appears on planet earth 21:43 – Dr. Thus avoiding a degraded picture quality that comes from blue screen and matte techniques. Much of the quality of the film image is thanks to the special effects technicians creating all visual effects “ in camera“. This film is also a laurel leaf for Britain’s film making heritage with the majority of production taking place in MGM Studios Borehamwood. We have been so influenced in the agency that Firedog’s very own 404 page features a witty take on one of the critical scenes in the latter half of the film. Key visuals such as the Monolith (which has inspired a modern artist take) and the HAL red eyeball interface. Coupled with this 2D/3D design is also the purely iconic symbols which the film excelled at imprinting upon our minds. I feel the most impressive relevance to the modern world is the environment and graphic design seen in particular scenes. However, what is particularly striking is how well certain aspects of the film have aged. Arthur C Clarke in 1965, photographed in the Discovery’s pod bay – ITU Pictures It deals with both humanity and also plots an early warning for artificial intelligence and future tech autonomy. It represents one of the finest sci-fi epics ever. I have read the book and it really is incredibly imaginative. Clarke’s early short story “The Sentinel” and was later developed into a novel released concurrently with the film itself. Would you believe that it has been over 54 years since the release of the incredible Stanley Kubrick science fiction epic, 2001: A Space Odyssey? The screenplay penned by Kubrick was inspired by Arthur C. Creativity Incredible design environments from 2001: A Space Odyssey
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |